Slightly curve the lower half of the arms, the tights, and calves of the model. Draw another bulge representing the biceps at the arm’s inside close to the elbow. Begin from the shoulder and make a slight bulge at the arm’s outside. Start adding muscles around the arms and the legs. Men figures are also more muscular than female fashion figures. Start building them around the guidelines marked in the previous step and don’t worry about realism at this stage. The arms and legs of the male figure are significantly wider than those of the female models. Notice the placement of the right foot – close to the Centerline and higher than the left foot. Find the middle of the A-B segment and draw a circle slightly higher to mark the knee of the right leg. To find the right place for the elbows just imagine the middle of the torso (the dashed line).ĭraw a straight line for the left leg and an ellipse for the foot. They are ending at the figure hips section with ellipses marking the size of the hands. See the “ How to draw walking pose” tutorial for more details.ĭivide the torso’s uppermost side in three and pull the arms centerlines. The side with the front leg is slightly angled as shown in the example. Since it’s a walking runway pose one of the legs is in front of the other. The third section is about the same size as the second one and represents the hips. The width of the second section is slightly larger than the width of the head. The uppermost 1/3 of the torso should be drawn narrowing down from the shoulders to the second section. The neck of male figures should be drawn shorter and wider compared to the female models. Notice the relief of the shoulders- there is a slight bulge close to the neck. Sketch the shoulders, which for a man figure are at least 3 times the width of the head. Leave 1 head from the ground up for the feet of the model.ĭraw an ellipse for the head and then draw the neck in between the dashed lines. Leave a little bit from the 1st and a little bit from the 2nd part for the neck of the figure. The head of the model takes up almost the whole uppermost 1/4. The head and torso will be drawn above this line while the legs will occupy the lower half.ĭivide the upper half of the figure into four equal parts. Slightly higher than the actual middle of the Centerline is the figure halfway. Leave a little bit from the top and a little bit the bottom of the sheet then pull the Centerline. You may choose to draw simple geometric shapes for hands and the feet.įrom here you can complete the drawing by adding the details over the framework that you have created.Start your fashion sketch my marking how large the figure will be. The next step is simply to draw a stick figure. The entire pose rests on these two lines. Next, locate a line for the shoulders and the waist and add these line lightly to the drawing. Doing this will ensure that you get the entire figure on your paper. This is a great pose to start with as it is less difficult to draw than a pose from the front or 3/4 view.īegin by drawing a line from the head to the feet of your subject. (It is understandable hard to get a figure model to stand in a running pose) The pose that is demonstrated on this page is a person that is running from a side view. This is especially true when the figure is moving. To properly view all of these qualities in your subject, you may consider using a photo reference. You will still need to pay attention to values, lines, and shapes in order for your figure drawing to translate properly. Following these steps will not guarantee a perfect figure drawing, but it will give you a strong start. All of this is compounded when the figure is placed in a motion like running.Īlthough there is not a concrete formula for drawing a figure, there are some steps that can help you get the proportions of the figure correct. Because of this, creating a method of steps that will work for all body types can be difficult. The figure is regarded as one of the most difficult subjects to draw.
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